Couple of accessories have actually aroused such commentary, for and versus, than the flower crown, so stylish of late among the neo-hippie celebration crowd. Despite critics, these decorative headpieces, whose history in folklore and art can be traced back to ancient civilizations, show no indications of fading from favor.
It's a look that has roots. In agrarian societies, connected to the land and the seasons, flower crowns had great symbolic significance. Worn for useful and ceremonial factors, they could show status and achievement (see Olympic olive wreaths). The language of flowersand herbs was widely known, with each carrying its own significance. ("There's rosemary, that's for remembering. Please remember, love. And there are pansies, they're for ideas," says Ophelia in Hamlet.) Loaded with significance, floral headdresses were woven into the sartorial and social traditions of locations as distant as Russia and Hawaii.
With increasing industrialization, the flower crown useful reference ended up being a romantic sign of the easy "nation" life (longed for, in an elegant version, by Marie Antoinette) and significantly appreciated for its ornamental value. While bride-to-bes continued the ceremonial customs of flower-wearing, it was the earth-mother hippies who have most affected the device's present version. Finding themselves partying instead of plowing, these flower kids would truss their slept-in hair with wildflowers to signify their connection to nature.
In still more current years, the blooms have even taken a subversive turn on the runways, with Rodarte designers Kate and Laura Mulleavy adorning designs with burnished coronets and cast-metal petals-- and releasing a fresh wave of flower mania among the fashion flock while doing so. In honor of the summer solstice, a motivating appearance back at flower crowns throughout history.
In agrarian societies, tied to the land and the seasons, flower crowns had excellent symbolic meaning. With increasing industrialization, the flower crown ended up being a romantic sign of the easy "nation" life (longed for, in a stylized variation, by Marie Antoinette) and increasingly valued for its decorative value. Discovering themselves partying rather than plowing, these flower kids would truss their slept-in hair with wildflowers to signify their connection to nature.